Original Very Rare Large Artist Morris Katz Oil Painting on Board Naked Women

Gorgeous VERY RARE Vintage Large Signed Morris Katz Original Oil on Board Naked WomenPainting. Frame Measures 26″ x 22″, and the Sight measures 24″ x 20″. Morris Katz (born Moshe Katz on March 5, 1932 – November 12, 2010) was a Polish-American. He holds two Guinness World Records as the world’s fastest painter and the world’s most prolific artist. He has also been called the “King of Schlock Art” and the “King of Toilet Paper Art” because of a novel means of painting he developed using a palette knife and toilet tissue instead of a paintbrush. On October 1, 1985 Morris wrested the Guinness World Record from none other than Pablo Picasso. Himself as the world’s most prolific artist at the Art Students League on 57th Street in New York City. As a Holocaust survivor. And symbol of gratitude to the United States immediately after the assassination of President Kennedy, Morris undertook his longest and most dear project The President Collection. Morris who is world famous for completing beautiful portraits within minutes using his Instant Art method picked up his brush painting each US president spending six years and an average of 200 hours on each Presidential portrait using the “Old Master” style. Each Portrait includes the US flag. It is the first of its kind collection displaying the exact amount of stars per colony on each flag per president. In 1965, the Vatican commissioned Morris, a world famous artist and Holocaust Survivor, to paint the portrait of Pope Paul VI.

RARE Very Large Peter Robert Keil Painting Abstract 49 X 48 Symbols

Peter Robert Keil Painting Signed. He brought it to my home along with many old original and unusual pieces. In overall good condition, some wear look at pictures for condition. Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during World War II. During the end phase of the war, Keil’s mother, also an artistically talented woman, took her son and struggled her way to West Berlin where they settled. This is where Peter Robert Keil grew up in the working-class neighbourhood of Berlin-Wedding and where he discovered his interest in painting-particularly in expressionistic artists and in Pablo Picasso’s work. [3] From 1954 on, the East Berlin-based painter Otto Nagel became his mentor and taught him first craft skills and painting techniques. [4] In 1954, he began his traineeship as an artist metalworker and between 1959 and 1961, he studied at the University of Arts in Berlin. When the Berlin Wall was built, he lost contact with his mentor Otto Nagel and from the early 60s on, Keil started to spend more and more time abroad. During his studies at the University of Arts in Berlin, he came in contact with numerous other artists who later became influential artists of their generation, like for example Georg Baselitz, Eugen Schönebeck, Markus Lüpertz and Joachim Schmettau. [5][6] During his time in Mallorca, he also met with Joan Miró in his studio several times. [6] From the early 60s on, Keil established studios in Paris, London, Berlin and in the US. Today he mainly lives and works in Zimmerau (Bavaria, Germany), Berlin and Los Angeles.

VERY LARGE RARE Peter Robert Keil Painting Abstract 49 X 48 Symbols Art

Peter Robert Keil Painting Signed it’s an older piece. Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during World War II. During the end phase of the war, Keil’s mother, also an artistically talented woman, took her son and struggled her way to West Berlin where they settled. This is where Peter Robert Keil grew up in the working-class neighbourhood of Berlin-Wedding and where he discovered his interest in painting-particularly in expressionistic artists and in Pablo Picasso’s work. [3] From 1954 on, the East Berlin-based painter Otto Nagel became his mentor and taught him first craft skills and painting techniques. [4] In 1954, he began his traineeship as an artist metalworker and between 1959 and 1961, he studied at the University of Arts in Berlin. When the Berlin Wall was built, he lost contact with his mentor Otto Nagel and from the early 60s on, Keil started to spend more and more time abroad. During his studies at the University of Arts in Berlin, he came in contact with numerous other artists who later became influential artists of their generation, like for example Georg Baselitz, Eugen Schönebeck, Markus Lüpertz and Joachim Schmettau. [5][6] During his time in Mallorca, he also met with Joan Miró in his studio several times. [6] From the early 60s on, Keil established studios in Paris, London, Berlin and in the US. Today he mainly lives and works in Zimmerau (Bavaria, Germany), Berlin and Los Angeles.

Rare Very Large HighwayMen James Gibson Antique Painting Upson Board 40 X 24.5

James Gibson Highwayman original oil art. Very large painting with 40 inches in width and 24.5 inches length. Very Big Very Old. Made on old upson board. “Here today, gone tomorrow”. This item is in the category “Art\Paintings”. The seller is “cryp” and is located in this country: US. This item can be shipped to United States.

Artist: James Gibson
Type: Painting
Listed By: Dealer or Reseller
Signed?: Signed
Size: Large
Date of Creation: 1950-1969
Style: Florida Highway Man
Original/Reproduction: Original
Material: Oil
Region of Origin: US
Subject: Landscape

Stephen Kaye Large Heron Oil Painting Very Rare

Large Vintage Stephen Kaye Heron Oil Painting / Very Rare. Frame has some scratches, and some lines on the picture. This item is in the category “Art\Paintings”. The seller is “evriv_1633″ and is located in this country: US. This item can be shipped to United States.

Artist: Stephen Kaye
Unit of Sale: Single-Piece Work
Size: Large (up to 60 in wide)
Color: Multi-Color
Date of Creation: 1970-1989
Material: Oil
Item Length: 61 In
Framing: Framed
Region of Origin: US
Subject: Landscape, Floral, Heron
Type: Painting
Listed By: Dealer or Reseller
Year of Production: 1980’s
Original/Licensed Reproduction: Original
Item Height: 49 In
Style: Vintage
Painting Surface: Canvas
Theme: Heron
Features: Framed, Signed
Production Technique: Oil Painting
Culture: Heron
Item Width: 2 In
Time Period Produced: 1980-1989

Very Large Rare Old Chinese Scroll Hand Painting Eagle YangShanShen Marks

Very Large Rare Old Chinese Scroll Hand Painting Eagle “YangShanShen” Marks. This is a very large old Chinese scroll hand painting, painted of the eagle is flying above the sea, the right written the painting subject, painting time and the artist name “YangShanShen”. Very good painting, hard to find now! Width:61cm [24.03 inches] Height:198cm [78.01 inches]. Welcome to my store! I’m a collector who likes to collect different good old item(s). I will reply your message within 24 hours Mon-Sat, and 48 hours on Sunday. Feedback is very important to me. I will do my best to solve the problem for you, thanks! Very Rare Old Chinese Hand Carving Dragon Natural Nephrite Jade Pendant. Fine Rare Chinese Jian Kiln Hand Painting Porcelain Deep Bowl Marks. Old Chinese CiZhou Kiln Hand Painting Yellow Leaf Black Porcelain Bowl. Chinese Antique Coral Red Glaze Porcelain Flower Goblet Vase KangXi Marks. Old Chinese Ge Kiln Green Glaze Porcelain Vase. Antique Chinese DouCai Hand Painting Flowers Porcelain Bowl GuangXu Marks. Chinese Fine Old Hand Carving Natural Green Jadeite Emerald Round Pendant. Very Large Old Chinese Scroll Hand Painting Ducks and Landscape GaoJianFu Mark. Chinese Antique Enamel Hand Painting Figures Porcelain Bowl XianFeng Marks. Antique Chinese DouCai Hand Painting Flowers Porcelain Vase YongZheng Mark. Old Chinese Ru Kiln Hand Written Golden Characters Buddhist Porcelain Plate. Old Large Chinese Hand Carving Gilt Dragons Black Ink Stick Inkslab. Rare Fine Old Chinese Jun Kiln Natural Blue and Purple Glaze Porcelain Plate. Rare Old Chinese Both Sides Hand Carved Dragon Nephrite Jade Pendant. Listing and template services provided by inkFrog. This item is in the category “Antiques\Asian Antiques\China\Paintings & Scrolls”. The seller is “artwhitus” and is located in this country: US. This item can be shipped to United States, all countries in Europe, all countries in continental Asia, Canada, Mexico.

Large Vintage Stephen Kaye Heron Oil Painting / Very Rare

Artist: Stephen Kaye
Unit of Sale: Single-Piece Work
Size: Large (up to 60 in wide)
Color: Multi-Color
Date of Creation: 1970-1989
Material: Oil
Item Length: 61 In
Framing: Framed
Region of Origin: US
Subject: Floral, Landscape, Heron
Type: Painting
Listed By: Dealer or Reseller
Year of Production: 1980’s
Original/Licensed Reproduction: Original
Item Height: 49 In
Style: Vintage
Painting Surface: Canvas
Theme: Heron
Features: Framed, Signed
Production Technique: Oil Painting
Culture: Heron
Item Width: 2 In
Time Period Produced: 1980-1989

A Very Large/Rare Korean Painting (? -? -)-19th C

A Very Large/Rare Korean Painting. Korea, Joseon dynasty, 19. An extra-large water color painting with a princess with two attendants of. Water color on silk depicting. Studying in front of the desk showing a scholars’ items along. With two helpers in behind huge curtains. It’s in very good condition. With matted rice paper on the back. It was presumably framed, but now removed and unframed. It measures 165 cm x 85 cm (66″ x 34″). This item is in the category “Antiques\Asian Antiques\Korea”. The seller is “patinablue” and is located in this country: US. This item can be shipped to United States.

Very RARE Early Vintage Modern Figural Abstract Painting, Clark Walding 1975

This is an ethereal and beautiful Very RARE Early Vintage Modern Figural Abstract Painting, Oil, Gouache and Watercolor on paper, by renowned California Postmodernist Clark Walding b. This work depicts a figural abstraction of several shadowy figures in various poses and is rendered in an otherworldly and expressive manner. This piece is special due to the fact that this artist rarely includes the human form in his work, and the fact that it is from so early in his career. The earliest publicly known and exhibited artworks by Walding date to the 1980’s. This work includes an interesting poem by the artist and is signed and dated: C. Walding 1975 at the center right edge of the image. Approximately 21 1/4 x 32 3/4 inches including frame. Actual visible artwork is approximately 20 x 31 1/2 inches. Very good condition, with a few small unnoticeable creases to the lower center edge please see photos. In current times, Clark Walding is a dynamic and highly celebrated artist in New Mexico, and his paintings would set you back many thousands of dollars from the galleries who represent him. Acquired from the contents of an old and long closed modern art gallery in Los Angeles, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! CHARLOTTE JACKSON FINE ART presents CLARK WALDING: Evanescence. Charlotte Jackson Fine Art is proud to present an exhibition of new works, Evanescence, by Clark Walding, running from May 13 through June 13. An Opening Reception with the artist will be held on Friday, May 13 from 5-7 p. The gallery is located in the Railyard Arts District at 554 South Guadalupe Street. Clark Walding’s paintings glow. The aching, haunting, mystic blues that he achieves seem to pierce a clean path through the retinal nerve, project like a luminous, Buddhist “Blue Sky Mind” onto the back wall of the skull and then melt down the brain stem to finally collect and pool somewhere behind the sternum. Look, for instance, at the 50 x 40 alkyd, oil, and wax piece, breathe: its deep mineral aquamarine lit by yellow, coursing with undercurrents of green, dappled with bits of icy cyan, and marked by a mysterious dark blue-black form which bleeds a bit of red. Can you feel it? That ice-edged ache, so alive within the painting, slowly takes up residence in the body as you look. As you sink into these paintings-they, in turn, sink into you. It doesn’t take long for the viewer to see that the works included in Evanescence are palimpsests, a chronicle written in color and texture that adds more than just depth, but history. This matches with Walding’s process-not only does he work using a painstaking process of applying paint, removing it, reapplying, removing, on and on, layer by layer-but these paintings are often created over the course of multiple years. What is not there, what has vanished or been erased, somehow becomes in the final viewing, almost as important as what remains. Walding’s act of using the edge of a painting knife to draw into multiple layers of paint, making lines and shapes that reveal contrasts and striking juxtapositions of color, confirms for us something we instinctively know-that there is “more going on here” than can be gleaned from a quick glance. Perhaps it is partly that persistence of absence in these pieces that contributes to the sense of mystery and loss that seems to haunt them. Evanescence is more than just the name of the series-it quite aptly hints at the deeper resonance these pieces emit. While in modern advertising language evanescence may be used to talk about bubbly drinks (from its tangential connection to vapor)-at its core, the noun is about the process of gradually disappearing: to vanish, to disappear, to be forgotten. Add to this the understanding that Walding was quite directly inspired in these works by images of melting Antarctic ice and the picture begins to clear. This isn’t to say that these are paintings of ice. A piece like evanescent or breach with their pale blues frosted by white, edged by pale algae-bloom green, or lined sharply by reds or oranges is not depiction but gesture-they feel more like memory and strike deeper. They owe at least as much to the delicate and mysterious paintings of 13th-century Chan Buddhist monk, Muqi Fachang as they do to drone images of glaciers. Ultimately, what strikes the viewer so acutely, is that the works of Evanescence are beautiful. This isn’t the beauty of advertisements or easy expectations but of vastness, of awe in its oldest sense (a reverence mixed with fear). It is the feeling that comes with acknowledging the transience of life, of things, of the planet itself. This kind of beauty reminds us that life is fragile and staggeringly complex. These paintings are beautiful because of the way that that blue pool of reflected light polling under the breastbone tickles and troubles us. The paintings of Evanescence have a gravity that supports, allowing us to look, see, and to remember. For Clark Walding b. 1945, California color is not an end result, but the record of a history rising up through layers to reveal itself, finally, just below the surface of the canvas. Walding layers oil paint, wax, and alkyd; each layer varies – some nearly transparent while others are nearly opaque. CLARK WALDING Born 1945, Turlock, CA Lives and works in Cerrillos, NM Education: BFA, MFA, Otis Art Institute, Los Angeles, CA Independent Study, Europe Awards: 1985 Orange County Register, New Newsmakers for 1986-Art 1984 International Art Competition, Certificate of Excellence: Painting (Exhibits: Southern California Museums and Galleries) 1974-75 Scholarship Grant from Otis Art Institute for Independent Study-Europe Selected Solo Exhibitions: 2013 Charlotte Jackson Fine Art, Flux, Santa Fe, NM 2009 Charlotte Jackson Fine Art, Rift Series, Santa Fe, NM 1999 Jan Maiden Fine Art, Columbus, OH 1997 Jan Maiden Fine Art, Columbus, OH 1996 Jan Maiden Fine Art, Columbus, OH 1995 Jan Maiden Fine Art, Columbus, OH 1989 The Works Gallery, Crossing the Void, part 2, Long Beach, CA Saddleback College, Crossing the Void, part 1, Mission Viejo, CA 1987 The Works Gallery, A Show of Hands, Long Beach, CA 1986 The Works Gallery, Heartland Series, Long Beach, CA 1985 Orange Coast College, Heartland Series, Costa Mesa, CA Art Space, Heartland Series, Los Angeles, CA 1977 Paideia Gallery, Los Angeles, CA Selected Group Exhibitions: 2016 Charlotte Jackson Fine Art, Wish You Were Here: A Group Exhibition, Santa Fe, NM 2015 Charlotte Jackson Fine Art, All That Glitters: A Holiday Group Exhibition, Santa Fe, NM 2014 Charlotte Jackson Fine Art, Winter Group Exhibition, Santa Fe, NM Charlotte Jackson Fine Art, BLUE: A Group Exhibition, Santa Fe, NM 2012 Charlotte Jackson Fine Art, Summer Group Exhibition, Santa Fe, NM 2011 Charlotte Jackson Fine Art, Red Black and White, Santa Fe, NM 2008 ART Santa Fe, Santa Fe, NM 2007 Charlotte Jackson Fine Art, Group Exhibit, Santa Fe, NM 2006 Charlotte Jackson Fine Art, Interlude, Santa Fe, NM 2005 Charlotte Jackson Fine Art, Variations on Yellow, Santa Fe, NM Charlotte Jackson Fine Art, Back to Basics, Santa Fe, NM Art Chicago, Chiacgo, IL 2004 Charlotte Jackson Fine Art, By Invitation, Santa Fe, NM Charlotte Jackson Fine Art, The Grass is (not) Greener, Santa Fe, NM 2003 Peyton-Wright Gallery, ART Santa Fe 2003, Santa Fe, NM Peyton-Wright Gallery, Contemporary Exhibit, Santa Fe, NM 2002 Peyton-Wright Gallery, Contemporary Group Exhibition, Santa Fe, NM Peyton-Wright Gallery, ART Santa Fe 2001, Santa Fe, NM Jan Maiden Fine Art, Drawing, Columbus, OH. Peyton-Wright Gallery, Santa Fe, NM 2000 Gensler, The New Minimalism, Santa Monica CA Peyton-Wright Gallery, Contemporary Group Exhibit, Santa Fe, NM Peyton Wright, Santa Fe, NM, w/ Jim Amaral 1999 Peyton-Wright Gallery, Contemporary Exhibit, Santa Fe, NM 1998 Peyton-Wright Gallery, Inaugural Exhibition (new space), Santa Fe, NM 1995 Peyton-Wright Gallery, Group Exhibit, Santa Fe, NM 1992 The Works Gallery South, Inscapes, Costa Mesa, CA 1991 Art Space, An Opening and a Closing, Los Angeles, CA The Works Gallery, Spiritual Objects, Long Beach, CA Lone Pine Gallery, Monotypes, Irvine, CA 1990 Friesen Gallery, Inaugural Exhibition, Seattle, WA James Corcoran Gallery, Heal the Bay Invitational, Santa Monica, CA Korean Cultural Center, East/West Invitational, Los Angeles, CA The Works Gallery, South, Costa Mesa, CA, w/ Hoon Kwak The Works Gallery, Long Beach, CA, w/ Judith Davies 1989 Shidoni Contemporary, Winter Group Show, Tesuque, NM 1987 Rancho Santiago College, Beauty in the Beast, Santa Ana, CA The Works Gallery, Artists/Works Two, Long Beach, CA Long Beach Art Museum, Curators Choice, Long Beach, CA The Works Gallery, Recent Work: Dixon, Morphesis, Walding, Long Beach, CA 1986 The Works Gallery, Artists/Works, Long Beach, CA Design House’86, Palos Verdes Estates, CA 1985 Long Beach Museum Foundation, Contemporary Collection: Drawing(exhibited at Pacific Design Center, Los Angeles, CA and The Works Gallery, Long Beach, CA) The Works Gallery, New Talent: Showcase One, Long Beach, CA Art Space, Works on Paper, Los Angeles, CA 1984 Art Space, Holiday Group Show, Los Angeles, CA 1979 Paideia Gallery, Group Show, Los Angeles, CA 1978 Paideia Gallery, Contemporary Paintings and Graphics, Los Angeles, CA Paideia Gallery, 20th Century Paintings, Drawings and Prints, Los Angeles, CA 1977 Paideia Gallery, Contemporary Drawings and Paintings, Los Angeles, CA 1976 National Watercolor Society, National Competition, Los Angeles, CA Meadows Museum, Shreveport, LA Selected Collections: Safeco/Glendale, CA Emerald Chaffey Pan Pacific Hotel, CA Seaco Inc, HI Gibraltar Savings, Los Angeles, CA Women’s Medical Group, TN Laguna Beach Art Museum, Laguna Beach, CA Selected Reviews and Publications: Orange County Register, June 18, Gene Harbrecht (review), 1990 ArtTalk, April/May, review, reproduction, 1989 ArtScene, May, Shirle Gottlieb, (review, reproduction), 1989 Orange County Register, Mar. 3, Duncan Simcoe, (review, 2 reproductions), 1989 VISIONS, Winter, Suvan Geer, (review, reproduction), 1987 ARTWEEK, Sept. 26, Suvan Geer, (review, reproduction), 1987 Orange County Register, Sept. 11; Suvan Geer, (review, 2 reproductions), 1987 Long Beach Press-Telegram, Mar. 23, Shirle Gottlieb, (review, reproduction), 1986. ARTWEEK, March 15 (reproduction), 1986 ArtScene, March, Elenore Welles (review, 2 reproductions and cover), 1986 Orange County Register, Sept. 20; Cathy Curtis, (review, 2 reproductions), 1985 Long Beach Press-Telegram, Mar. 23; Shirle Gottlieb, (review, reproduction), 1985 Los Angeles Times, Feb. 8; Robert Pincus (review), 1985 ARTWEEK, Feb. 16 (reproduction), 1985 Drawing Published: Hidden Elements of Drawing, by Joseph Mugnaini, Van Nostrand Rinehold, 1975. This item is in the category “Art\Paintings”. The seller is “willsusa_utzeqm” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, Korea, South, Indonesia, Taiwan, South Africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Chile, Colombia, Panama, Jamaica, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion, Uruguay.

Artist: Clark Walding
Signed By: Clark Walding
Size: Large
Signed: Yes
Material: Paper, Oil, Watercolor, Gouache
Region of Origin: California, USA
Framing: Framed
Subject: Figures, Abstract
Type: Painting
Year of Production: 1975
Original/Licensed Reproduction: Original
Item Height: 21 1/4 in
Style: Abstract, Expressionism, Modernism, Postmodernism, Surrealism
Features: One of a Kind (OOAK)
Production Technique: Mixed Media
Country/Region of Manufacture: United States
Item Width: 32 2/4 in
Handmade: Yes
Time Period Produced: 1970-1979

Rare Very Large HighwayMen James Gibson Antique Painting Upson Board 40 X 24.5

Size: Large
Region of Origin: US
Artist: James Gibson
Style: Florida Highway Man
Material: Oil
Type: Painting
Subject: Landscape
Listed By: Dealer or Reseller
Date of Creation: 1950-1969
Signed?: Signed
Original/Reproduction: Original

April 2024
M	T	W	T	F	S	S
« Mar
1	2	3	4	5	6	7
8	9	10	11	12	13	14
15	16	17	18	19	20	21
22	23	24	25	26	27	28
29	30