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Large Natural Gold Nugget Australian 58.21 Grams 1.87 Troy Ounces Very Rare

Australian Natural Gold Nugget 58.21. Grams 1.87 Troy Ounces. Most of my Australian nuggets come from Victoria’s Gold Triangle area. Length = 34 mm – Width = 28 mm – Thickness = 21 mm. Australian nugget are very high in purity running from. All Nuggets are Pictured or Partially Pictured with a U. S Quarter which is 24.5MM in diameter to give you an idea of Size Proportion. Natural Gold Nugget Pioneering from the Australian plains, fields, & the tip of a metal detector uncleaned direct to your living room…. Through using my resources at the world number one Natural gold Jewelry Manufacturing shop once know as Conner’s. And now the company Orocal. If it isn’t authentic. The Details Behind Your Gold Nugget. What is a Natural Gold Nugget? It is a piece of gold that broke out of quartz deposits within the earth when erosion took place. It also goes by the name Placer Gold and each piece is a one of a kind with no two being exactly alike. Where can they be found? Wherever the effects of erosion took place. That would include rivers, streams, ancient dried up river channels and underground riverbeds. How pure are they? Gold nuggets range from 75 to 95 fine 18-23KT gold and can have other mineral content such as silver and copper mixed in with it. What sizes do they come in? Gold Nuggets come in all sizes, the smaller one range in sizes from 1 millimeter up to 6 and is often referred to as flakes. Bigger flakes are called nuggets and have been found as large as 2500 ounces although almost all nuggets bigger than 300 ounces were melted. How Are Natural Gold Nuggets found? They can be found in rivers and streams using a gold pan or suction dredges that act like an underground vacuum cleaner. Larger operations use large machinery that dig up huge sections of dirt weighing several tons and run it through machines that separate the gold from the dirt. Nuggets are also found using a metal detector. How are they weighed? They are weighed by the troy ounces. 12 ounces = one pound which differs from weight which is 16 ounces to the pound. The troy ounces are broke up into 20-penny weight to the ounces and use the symbol DWT or by the grams which has 31.1 to the ounces. The larger the nugget the more rare and valuable they are. A one-ounce nugget is now considered as rare as a five-carat diamond. How many of those do you own? Why are some real bright and others dull? Because it was formed underground in quartz deposit you often find quartz mixed in with it. When they broke off into the rivers and streams they tumbled against the sand and gravel, which gave the nuggets, it’s texture but dulled it. They can be cleaned in different solutions, and then tumbled in different media to give it the shine. What do we mean by Authentic, Genuine, Natural Gold Nuggets? Not all Gold nuggets are natural, some people man-make them by taking smaller gold flakes melting them and casting them into the shape of a nugget. Make sure to ask if they are genuine natural gold nuggets as found by the miners and come with a certificate of authenticity. Australian nugget are very high in purity running from 94-98% pure. Each nugget comes with a. Certificate of authenticity guaranteeing it to be genuine. Natural Gold Nugget Pioneering from the Australian plains, fields, & the tip of a metal detector direct to your living room…… In November of 2013 I opened up my Gold Nugget store. With thousands of satisfied customers I will continue to strive to provide the highest quality, largest selection and best priced gold nuggets on. My Source for Australian Gold Nuggets for Sale the GoldenTriangle. Except for the richer and more extensive gold-bearing fields of California, the gold production in the State of Victoria was once greater than in any other country in the world. The state’s greatest yield within a single year occurred in 1856; where a documented recovery of 3,053,744 troy ounces of gold was achieved. According to the Victorian Mines Department, the state had produced over 60-million ounces of gold between 1851 and 1896. At Walhalla alone, Cohens Reef produced over 1.6 million troy ounces of gold within 40 years of mining. While traces of gold were earlier found during the 1840s, particularly in the Port Philip area, and its later discoveries at Warrandyte, Clunes and Buninyong in 1851, the intensive gold rushes really started near Ballarat, at Golden Point, including the significant gold finds in Bendigo and Beechworth. At the height of its gold production, Victoria channeled an average of two tons of gold weekly into the Treasury Building in Melbourne. The exported gold to Britain during the 1850s greatly compensated Victoria’s entire foreign debts and eventually laid the foundation of the state’s large commercial expansion towards the latter half of the century. GOLD DISCOVERY IN VICTORIA. Originally, the first discovery of gold in Victoria was made by the Hon. Campbell, when he found several small pieces of native gold in quartz at Clunes, in March of 1850. However, the discovery was kept secret and only became official when Campbell revealed the find on January 10, 1851. Specimens were shown to analyst and physician, Dr. Bruhn midst his exploration of the mineral resources of the colony. He then confirmed the authenticity of gold and indications of the precious metal in quartz from what was later known as the celebrated Clune Diggings. As the initial gold find turned out to be uneconomic to market, discoveries around the area were intensified and pushed by the government with corresponding rewards. James Esmond came across the first profitable goldfield in Victoria at Creswick’s Creek, a tributary of the Loddon River, in Clunes in July of 1851. Four days later, reports of the existence of gold in the quartz rocks of Anderson’s Creek, a tributary of the Yarra River near Warrandyte, surfaced after it was found by Mr. Louis John Michel and his party. Almost simultaneously, another occurrence of gold was found at the Pyrenees Mountains, again by Mr. And not too long after, the numerous goldfields near Mount Alexander were found. The third discovery was made by Mr. Thomas Hiscock, who found a deposit in the gully of the Buninyong Ranges on August 8, 1851. On July of 1851, Thomas Peters discovered specks of gold at what is now known as Specimen Gully. The discovery triggered a rush to the Mount Alexander area. In November of the same year, gold was found at Forest Creek centered on present-day Castlemaine. It marked the beginning of the largest of all Victorian gold discoveries and claimed as the richest shallow alluvial goldfield in the world. By December, further discoveries followed, with even more gold found in the area now known as Bendigo. Within just a few decades, Victoria transformed from a small pastoral settlement to a wealthy and proud colony as goldfields sprouted and stretched from Ararat and Stawell in the western districts to Beechworth, Daylesford and Ovens River to the northwest in 1852; Bright, Omeo, and Avoca towards the mountainous regions during 1858-59; and, Walhalla in 1863. However, these discoveries were soon surpassed by the Ballarat and Bendigo finds. In November 1906, a remarkable discovery of gold was made near Tarnagulla, where a miner who had patiently prospected the area for a long time recovered seven ounces of gold from a shaft nineteen feet deep, including some fairly large nuggets. This find sparked the so-called Poseidon rush. The final principal gold rush in Victoria occurred at Berringa, south of Ballarat, during the first decade of the 20th century. Still, gold has continued to be found in recent years with the latest discovery at Wedderburn in 1980. Eventually gold mining slowed in Victoria. It was largely due in part with the high costs of pumping and mining in greater depths, but not because the goldfields have been exhausted completely. The recent increase in gold prices has seen a resurgence of commercial gold mining with operations resuming in the major fields of Ballarat and Bendigo. Further explorations is also underway elsewhere, like in the isolated mountain area of Glen Wills near Mitta Mitta in the northeastern region. Miners are still finding Gold with metal detectors by hand in fields. This item is in the category “Coins & Paper Money\Bullion\Gold\Nuggets”. The seller is “nuggetsbygrant” and is located in this country: US. This item can be shipped to North, South, or Latin America, all countries in Europe, Japan, Australia.

Very RARE Early Vintage Modern Figural Abstract Painting, Clark Walding 1975

This is an ethereal and beautiful Very RARE Early Vintage Modern Figural Abstract Painting, Oil, Gouache and Watercolor on paper, by renowned California Postmodernist Clark Walding b. This work depicts a figural abstraction of several shadowy figures in various poses and is rendered in an otherworldly and expressive manner. This piece is special due to the fact that this artist rarely includes the human form in his work, and the fact that it is from so early in his career. The earliest publicly known and exhibited artworks by Walding date to the 1980’s. This work includes an interesting poem by the artist and is signed and dated: C. Walding 1975 at the center right edge of the image. Approximately 21 1/4 x 32 3/4 inches including frame. Actual visible artwork is approximately 20 x 31 1/2 inches. Very good condition, with a few small unnoticeable creases to the lower center edge please see photos. In current times, Clark Walding is a dynamic and highly celebrated artist in New Mexico, and his paintings would set you back many thousands of dollars from the galleries who represent him. Acquired from the contents of an old and long closed modern art gallery in Los Angeles, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! CHARLOTTE JACKSON FINE ART presents CLARK WALDING: Evanescence. Charlotte Jackson Fine Art is proud to present an exhibition of new works, Evanescence, by Clark Walding, running from May 13 through June 13. An Opening Reception with the artist will be held on Friday, May 13 from 5-7 p. The gallery is located in the Railyard Arts District at 554 South Guadalupe Street. Clark Walding’s paintings glow. The aching, haunting, mystic blues that he achieves seem to pierce a clean path through the retinal nerve, project like a luminous, Buddhist “Blue Sky Mind” onto the back wall of the skull and then melt down the brain stem to finally collect and pool somewhere behind the sternum. Look, for instance, at the 50 x 40 alkyd, oil, and wax piece, breathe: its deep mineral aquamarine lit by yellow, coursing with undercurrents of green, dappled with bits of icy cyan, and marked by a mysterious dark blue-black form which bleeds a bit of red. Can you feel it? That ice-edged ache, so alive within the painting, slowly takes up residence in the body as you look. As you sink into these paintings-they, in turn, sink into you. It doesn’t take long for the viewer to see that the works included in Evanescence are palimpsests, a chronicle written in color and texture that adds more than just depth, but history. This matches with Walding’s process-not only does he work using a painstaking process of applying paint, removing it, reapplying, removing, on and on, layer by layer-but these paintings are often created over the course of multiple years. What is not there, what has vanished or been erased, somehow becomes in the final viewing, almost as important as what remains. Walding’s act of using the edge of a painting knife to draw into multiple layers of paint, making lines and shapes that reveal contrasts and striking juxtapositions of color, confirms for us something we instinctively know-that there is “more going on here” than can be gleaned from a quick glance. Perhaps it is partly that persistence of absence in these pieces that contributes to the sense of mystery and loss that seems to haunt them. Evanescence is more than just the name of the series-it quite aptly hints at the deeper resonance these pieces emit. While in modern advertising language evanescence may be used to talk about bubbly drinks (from its tangential connection to vapor)-at its core, the noun is about the process of gradually disappearing: to vanish, to disappear, to be forgotten. Add to this the understanding that Walding was quite directly inspired in these works by images of melting Antarctic ice and the picture begins to clear. This isn’t to say that these are paintings of ice. A piece like evanescent or breach with their pale blues frosted by white, edged by pale algae-bloom green, or lined sharply by reds or oranges is not depiction but gesture-they feel more like memory and strike deeper. They owe at least as much to the delicate and mysterious paintings of 13th-century Chan Buddhist monk, Muqi Fachang as they do to drone images of glaciers. Ultimately, what strikes the viewer so acutely, is that the works of Evanescence are beautiful. This isn’t the beauty of advertisements or easy expectations but of vastness, of awe in its oldest sense (a reverence mixed with fear). It is the feeling that comes with acknowledging the transience of life, of things, of the planet itself. This kind of beauty reminds us that life is fragile and staggeringly complex. These paintings are beautiful because of the way that that blue pool of reflected light polling under the breastbone tickles and troubles us. The paintings of Evanescence have a gravity that supports, allowing us to look, see, and to remember. For Clark Walding b. 1945, California color is not an end result, but the record of a history rising up through layers to reveal itself, finally, just below the surface of the canvas. Walding layers oil paint, wax, and alkyd; each layer varies – some nearly transparent while others are nearly opaque. CLARK WALDING Born 1945, Turlock, CA Lives and works in Cerrillos, NM Education: BFA, MFA, Otis Art Institute, Los Angeles, CA Independent Study, Europe Awards: 1985 Orange County Register, New Newsmakers for 1986-Art 1984 International Art Competition, Certificate of Excellence: Painting (Exhibits: Southern California Museums and Galleries) 1974-75 Scholarship Grant from Otis Art Institute for Independent Study-Europe Selected Solo Exhibitions: 2013 Charlotte Jackson Fine Art, Flux, Santa Fe, NM 2009 Charlotte Jackson Fine Art, Rift Series, Santa Fe, NM 1999 Jan Maiden Fine Art, Columbus, OH 1997 Jan Maiden Fine Art, Columbus, OH 1996 Jan Maiden Fine Art, Columbus, OH 1995 Jan Maiden Fine Art, Columbus, OH 1989 The Works Gallery, Crossing the Void, part 2, Long Beach, CA Saddleback College, Crossing the Void, part 1, Mission Viejo, CA 1987 The Works Gallery, A Show of Hands, Long Beach, CA 1986 The Works Gallery, Heartland Series, Long Beach, CA 1985 Orange Coast College, Heartland Series, Costa Mesa, CA Art Space, Heartland Series, Los Angeles, CA 1977 Paideia Gallery, Los Angeles, CA Selected Group Exhibitions: 2016 Charlotte Jackson Fine Art, Wish You Were Here: A Group Exhibition, Santa Fe, NM 2015 Charlotte Jackson Fine Art, All That Glitters: A Holiday Group Exhibition, Santa Fe, NM 2014 Charlotte Jackson Fine Art, Winter Group Exhibition, Santa Fe, NM Charlotte Jackson Fine Art, BLUE: A Group Exhibition, Santa Fe, NM 2012 Charlotte Jackson Fine Art, Summer Group Exhibition, Santa Fe, NM 2011 Charlotte Jackson Fine Art, Red Black and White, Santa Fe, NM 2008 ART Santa Fe, Santa Fe, NM 2007 Charlotte Jackson Fine Art, Group Exhibit, Santa Fe, NM 2006 Charlotte Jackson Fine Art, Interlude, Santa Fe, NM 2005 Charlotte Jackson Fine Art, Variations on Yellow, Santa Fe, NM Charlotte Jackson Fine Art, Back to Basics, Santa Fe, NM Art Chicago, Chiacgo, IL 2004 Charlotte Jackson Fine Art, By Invitation, Santa Fe, NM Charlotte Jackson Fine Art, The Grass is (not) Greener, Santa Fe, NM 2003 Peyton-Wright Gallery, ART Santa Fe 2003, Santa Fe, NM Peyton-Wright Gallery, Contemporary Exhibit, Santa Fe, NM 2002 Peyton-Wright Gallery, Contemporary Group Exhibition, Santa Fe, NM Peyton-Wright Gallery, ART Santa Fe 2001, Santa Fe, NM Jan Maiden Fine Art, Drawing, Columbus, OH. Peyton-Wright Gallery, Santa Fe, NM 2000 Gensler, The New Minimalism, Santa Monica CA Peyton-Wright Gallery, Contemporary Group Exhibit, Santa Fe, NM Peyton Wright, Santa Fe, NM, w/ Jim Amaral 1999 Peyton-Wright Gallery, Contemporary Exhibit, Santa Fe, NM 1998 Peyton-Wright Gallery, Inaugural Exhibition (new space), Santa Fe, NM 1995 Peyton-Wright Gallery, Group Exhibit, Santa Fe, NM 1992 The Works Gallery South, Inscapes, Costa Mesa, CA 1991 Art Space, An Opening and a Closing, Los Angeles, CA The Works Gallery, Spiritual Objects, Long Beach, CA Lone Pine Gallery, Monotypes, Irvine, CA 1990 Friesen Gallery, Inaugural Exhibition, Seattle, WA James Corcoran Gallery, Heal the Bay Invitational, Santa Monica, CA Korean Cultural Center, East/West Invitational, Los Angeles, CA The Works Gallery, South, Costa Mesa, CA, w/ Hoon Kwak The Works Gallery, Long Beach, CA, w/ Judith Davies 1989 Shidoni Contemporary, Winter Group Show, Tesuque, NM 1987 Rancho Santiago College, Beauty in the Beast, Santa Ana, CA The Works Gallery, Artists/Works Two, Long Beach, CA Long Beach Art Museum, Curators Choice, Long Beach, CA The Works Gallery, Recent Work: Dixon, Morphesis, Walding, Long Beach, CA 1986 The Works Gallery, Artists/Works, Long Beach, CA Design House’86, Palos Verdes Estates, CA 1985 Long Beach Museum Foundation, Contemporary Collection: Drawing(exhibited at Pacific Design Center, Los Angeles, CA and The Works Gallery, Long Beach, CA) The Works Gallery, New Talent: Showcase One, Long Beach, CA Art Space, Works on Paper, Los Angeles, CA 1984 Art Space, Holiday Group Show, Los Angeles, CA 1979 Paideia Gallery, Group Show, Los Angeles, CA 1978 Paideia Gallery, Contemporary Paintings and Graphics, Los Angeles, CA Paideia Gallery, 20th Century Paintings, Drawings and Prints, Los Angeles, CA 1977 Paideia Gallery, Contemporary Drawings and Paintings, Los Angeles, CA 1976 National Watercolor Society, National Competition, Los Angeles, CA Meadows Museum, Shreveport, LA Selected Collections: Safeco/Glendale, CA Emerald Chaffey Pan Pacific Hotel, CA Seaco Inc, HI Gibraltar Savings, Los Angeles, CA Women’s Medical Group, TN Laguna Beach Art Museum, Laguna Beach, CA Selected Reviews and Publications: Orange County Register, June 18, Gene Harbrecht (review), 1990 ArtTalk, April/May, review, reproduction, 1989 ArtScene, May, Shirle Gottlieb, (review, reproduction), 1989 Orange County Register, Mar. 3, Duncan Simcoe, (review, 2 reproductions), 1989 VISIONS, Winter, Suvan Geer, (review, reproduction), 1987 ARTWEEK, Sept. 26, Suvan Geer, (review, reproduction), 1987 Orange County Register, Sept. 11; Suvan Geer, (review, 2 reproductions), 1987 Long Beach Press-Telegram, Mar. 23, Shirle Gottlieb, (review, reproduction), 1986. ARTWEEK, March 15 (reproduction), 1986 ArtScene, March, Elenore Welles (review, 2 reproductions and cover), 1986 Orange County Register, Sept. 20; Cathy Curtis, (review, 2 reproductions), 1985 Long Beach Press-Telegram, Mar. 23; Shirle Gottlieb, (review, reproduction), 1985 Los Angeles Times, Feb. 8; Robert Pincus (review), 1985 ARTWEEK, Feb. 16 (reproduction), 1985 Drawing Published: Hidden Elements of Drawing, by Joseph Mugnaini, Van Nostrand Rinehold, 1975. This item is in the category “Art\Paintings”. The seller is “willsusa_utzeqm” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, Korea, South, Indonesia, Taiwan, South Africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Chile, Colombia, Panama, Jamaica, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion, Uruguay.

Artist: Clark Walding
Signed By: Clark Walding
Size: Large
Signed: Yes
Material: Paper, Oil, Watercolor, Gouache
Region of Origin: California, USA
Framing: Framed
Subject: Figures, Abstract
Type: Painting
Year of Production: 1975
Original/Licensed Reproduction: Original
Item Height: 21 1/4 in
Style: Abstract, Expressionism, Modernism, Postmodernism, Surrealism
Features: One of a Kind (OOAK)
Production Technique: Mixed Media
Country/Region of Manufacture: United States
Item Width: 32 2/4 in
Handmade: Yes
Time Period Produced: 1970-1979

Bulbophyllum Phalaenopsis Orchid Very Rare Species Large Plant #24

Here is B ulbophyllum phalaenopsis. The large species plant is very rare plant is 24″ long leaf is 22″ long. Hawaiian buyers also must have an import permit. DON’T FORGET TO TAKE A LOOK AT THE OTHER ORCHIDS WE HAVE LISTED AND WILL BE LISTING. This item is in the category “Home & Garden\Yard, Garden & Outdoor Living\Plants, Seeds & Bulbs\Plants & Seedlings”. The seller is “orchids-forever” and is located in this country: US. This item can be shipped to United States.

Type: Orchids
Features: Evergreen
Color: Red
Climate: Humid Subtropical
Sunlight: Partial Shade
Genus: Bulbophyllum
Brand: Orchids
Watering: Keep Moist
Plant+Category: Orchids+&+Tropicals
Season of Interest: Spring

Very rare Nike 80’s Vintage Air Jordan Track Suit size Large

Very rare Nike 80’s Vintage Air Jordan Track Suit size Large. True vintage, 1980s very rare hard to find elephant print jacket and pants. Size Large men’s size. It’s a track suit. NOTE: THE left leg of the pants have a flat iron mark, please view the last few pics to see the condition. There’s 3 tiny holes that has been patched up. The item is vintage so it’s shows. This item is in the category “Clothing, Shoes & Accessories\Men\Men’s Clothing\Coats, Jackets & Vests”. The seller is “porky_the_bulldog” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, Taiwan, South Africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, New Zealand, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Republic of Croatia, Malaysia, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion.

Outer Shell Material: Cotton
Pattern: elephant print
Closure: Zip
Occasion: Casual
Size: L
Color: Black
Vintage: Yes
Brand: Nike
Size Type: Regular
Department: Men
Type: track suit
Theme: 80s
Style: Windbreaker
Country/Region of Manufacture: United States
Product Line: Nike Air

Bone Large Lithograph Print Signed Jeff Smith 81/300 Very Rare

Bone Large Lithograph Print SignedJeff Smith 81/300 Very Rare. Condition seen in pictures. This item is in the category “Collectibles\Comic Books & Memorabilia\Comics\Comics & Graphic Novels”. The seller is “hallofhobbies” and is located in this country: US. This item can be shipped to United States.

Character: bone
Series Title: Bone
Features: Large Print

Rare! Very Good! IKEDA ANBA WOOD VIEW 4×5 Large Format Film Camera

Rare! Very Good! IKEDA ANBA WOOD VIEW 4x5 Large Format Film Camera

IKEDA ANBA WOOD VIEW 4×5 Large Format Film Camera. There is rust on the body. Focusing Screen Condition Fungus : None. There are no functional problems. Appearance:Please refer photo. / Optic:Focusing Screen Condition Fungus : None. / Function:There are no functional problems. Never Used, Never Opened. Never Used, but opened the box. Second hand, but almost brand new. Second hand, few sings of used. Some signs of used, good condition. Some sings of used, standard condition. Well used, many sings of used. Can be used, but has minor defect. It may be delayed depends on country, region and seasons. We can not declare lower price. We are doing the best to describe the item as accurately as possible. If the item is not described properly, please contact within 30 days. We can’t accept the return by reason of “Doesn’t fit”. We don’t guarantee the operation by using a mount adapter. We can not bear the import duty and any other charges. Appearance:There are some scratches on the body. / Optic:There are some dust, dot fungus and many scratches inside. This item is in the category “Cameras & Photo\Film Photography\Film Cameras”. The seller is “fivestarcamera” and is located in this country: JP. This item can be shipped worldwide.

Model: 4×5
Format: 4×5 in
Type: Large Format
Focus Type: Manual
Brand: IKEDA ANBA

Very Rare And Glamourous GUCCI blind for love Kimono robe

Very rare straight from the run way>>>> gucci blind for love robe. Size xl 2017 exclusize releas….. Thank you and God bless. This item is in the category “Clothing, Shoes & Accessories\Women\Women’s Bags & Handbags”. The seller is “jogali5129″ and is located in this country: US. This item can be shipped worldwide.

Brand: Gucci
Pattern: Lion
Department: Women
Size: Extra Large
Exterior Color: Cream
Lining Color: Multicolor
Theme: Love
Style: Crossbody
Exterior Material: Cotton
Product Line: Gucci

Very Rare Large

Month: October 2022